I have had the best experience exhibiting new work in ‘Alpha Theta‘ at the Old Biscuit Factory. Art Number 23 has been a pleasure to work with and I look forward to collaborating with them in the future.
Alpha – Theta showcased two new books ‘Dream Dissociation One‘ and ‘Dream Dissociation Two‘. Each book is a self-portrait made from three-dimensional scans of my face taken during the summer. They were then translated into screen prints and carefully folded and bound.
I’m really excited to announce I’m exhibiting in Alpha Teta the latest exhibition hosted by Art Number 23. The show opens on 7th February at ‘The Old Biscuit Factory’ London. It will run until the 12th February.
This will be the first time that I have shown my handmade books.
Printmaker Jane Bennett and Photographer Joanna Garrett show new collaborative work at ‘The Test Bed’ on the 17th December 2018.
The show ‘Bennett and Garrett’ is the first exhibition by myself and photographer Joanna Garrett and it was hosted by one of my favourite research facilities ‘In Certain Places’ at the pop-up exhibition and engagement space ‘The Test Bed’.
The State of Print is an Artist Led Nation and it has been a pleasure to be offered citizenship.
SOP is a touring exhibition that questions the nature of states, borders, and reproduction. Each time the state relocates to a new exhibition space it collects ten artists who print ten boxes which are absorbed into the collection. All works respond to the manifesto laid out by the state.
August is the best month to have artistic explorations as the campus is quieter and my main focus is readying the studios for the coming academic year.
Strangely, I find the cleaning and sorting is good for my work ethic and working on in the studios themselves help focus my artistic experimentation.
Heaven is in the making Remains unfinished A possibility If there’s a glimpse of it In the little dance of tongues
Einsturzende Neubauten – Heaven Is Of Honey
The links to music and philosophy may not be immediately obvious within my work, but I am as much influenced by rhythm in language and dissonant chords as I am influenced by visual artists. The gently clanged rhythms and gorgeous singing of Blixa Bargeld is the perfect soundtrack to grow artwork within.
There is also something so incredibly exciting about work in progress. It isn’t finished or complete and I don’t empirically ‘know’ at this point how it will turn out. There are small glimpses of it and endless possibilities. It’s very exciting.