Creative Methods: Autistic Researchers and Research Participants

Sentio Journal Header

Auto-photography and Collaborative Drawing: How Can Autistic Researchers Foster Inclusion Through Method Selection and Development to Investigate the Design of the Built Environment?

In this journal article for Sentio, I dive into how selecting and developing inclusive research methods can open doors for autistic researchers and participants, creating richer, more accessible forms of engagement. Traditional qualitative methods, like interviews, often rely on verbal communication and reading subtle cues, which can create barriers for autistic individuals. Autism is commonly described as a communication disorder, but the full picture is more complex: neurotypicals (those, who are not neurodivergent or autistic) and autistic people often struggle to fully understand each other, a phenomenon known as the “double empathy problem.” This issue arises because neurotypical people don’t always interpret autistic communication accurately, and vice versa, leading to misunderstandings.

Continue reading “Creative Methods: Autistic Researchers and Research Participants”

Microstories with Fabrizio Paterlini

Fabrizio Paterlini - Piano Microstories Publication

Microstories publication with composer Fabrizio Paterlini

‘Internationally acclaimed Italian pianist and composer Fabrizio Paterlini creates melancholic musical compositions, predominantly working in the vernacular of Neo-classical or minimalism. His unique sounds are both visceral, emotive and indeed offer a complexity which is sometimes regarded as ethereal.’ – Microstories

Continue reading “Microstories with Fabrizio Paterlini”

Fabrizio Paterlini’s Microstories

Fabrizio Paterlini - Piano Microstories Publication

Fabrizio Paterlini – Piano Microstories Publication

I am so pleased to announce that I have been selected for Fabrizio Paterlini’s latest publication ‘Piano Microstories’.

‘Internationally acclaimed Italian pianist and composer Fabrizio Paterlini creates melancholic musical compositions, predominantly working in the vernacular of Neo-classical or minimalism. His unique sounds are both visceral, emotive and indeed offer a complexity which is sometimes regarded as ethereal.

Paterlini’s most recent project emphasizes the notion of the current moment stating, ‘How many emotions can you feel in one minute?’.

The publication aims to be a multidisciplinary piece of art that combines photography and poetry in response to Paterlini’s one minute piano scores.’ – Gemma Land and Ravinder Surah

Continue reading “Fabrizio Paterlini’s Microstories”