Exploring the City Through Neurodivergent Sensory Experiences

I presented my first co-authored systematic review at the 5th International Congress of City Ambiences in Lisbon. The paper will be published in full towards the end of 2024, but I wanted to publish an accessible introduction here first!

This blog is interspersed with my own photography of Manchester, taken whilst walking and exploring with my co-author, Dr Carolina Vasilikou.

When we walk through a city—whether it’s commuting to work, attending classes, or meeting friends—walking becomes more than just a mode of transport; it’s a daily rhythm that connects us to our surroundings. However, for neurodivergent individuals, whose sensory experiences can differ from the typical, this act of moving through urban spaces can be more complex.

Ambience 2024, Bridge

While there’s increasing awareness around designing indoor environments to support neurodivergent needs, outdoor urban spaces have received less attention. A 2023 report from Autistica highlighted how neurodivergent needs are often overlooked, and urban design standards still lack guidelines for accommodating sensory sensitivities. We know that sensory differences are a key part of neurodiverse experiences, so we’re shifting the focus: rather than asking why neurodivergent sensory experiences are different, we want to understand how these experiences interact with the urban environment.

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Microstories with Fabrizio Paterlini

Fabrizio Paterlini - Piano Microstories Publication

Microstories publication with composer Fabrizio Paterlini

‘Internationally acclaimed Italian pianist and composer Fabrizio Paterlini creates melancholic musical compositions, predominantly working in the vernacular of Neo-classical or minimalism. His unique sounds are both visceral, emotive and indeed offer a complexity which is sometimes regarded as ethereal.’ – Microstories

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Living Photography

Jane Elizabeth Bennett 'Location Adrift' Digital Dark Room Living Photography, Living Photography

Living Photography. What does the word living mean to you?

Living Photography is to be in a constant state of change. To be in motion. Nothing that is living is ever truly still. We breathe, our hearts beat, we move from place to place. Nothing alive is ever truly still. These images are taken in transition, moving between places and states of mind.

Living Photography opens on Wednesday 4th December at the Brunswick Leeds.

Digital Darkroom Print, Living Photography
‘Location Adrift’

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Fabrizio Paterlini’s Microstories

Fabrizio Paterlini - Piano Microstories Publication

Fabrizio Paterlini – Piano Microstories Publication

I am so pleased to announce that I have been selected for Fabrizio Paterlini’s latest publication ‘Piano Microstories’.

‘Internationally acclaimed Italian pianist and composer Fabrizio Paterlini creates melancholic musical compositions, predominantly working in the vernacular of Neo-classical or minimalism. His unique sounds are both visceral, emotive and indeed offer a complexity which is sometimes regarded as ethereal.

Paterlini’s most recent project emphasizes the notion of the current moment stating, ‘How many emotions can you feel in one minute?’.

The publication aims to be a multidisciplinary piece of art that combines photography and poetry in response to Paterlini’s one minute piano scores.’ – Gemma Land and Ravinder Surah

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North

Seeking Identity Close up

I feel so privileged to be mentioned in Volume 4 of ‘North’ as part of Jo Garrett’s wonderful interview on the darkroom.

North Magazine, Volume 4 featuring Jane Elizabeth Bennett and Jo Garrett
North Magazine, Volume 4 Jo Garrett’s Interview featuring Jane Elizabeth Bennett

I love the way that Jo talks about the magic of the darkroom, the physical interactions between chemistry and light, it is alchemy and I adore it. I think it is so easy to disassociate the physicality of making work from the final outcome which often ends up, framed and pristine, on a white wall.

When I’m working in the darkroom with Jo, I can relax. We often discuss the crossovers and co-dependencies of printmaking and photography. How each process informs, shapes and directs the evolution of the other, while still remaining very separate artforms.

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